Throw in the Rust-Proofing and Undercoating, Too by Becky Clark

Throw In the Rust-Proofing and Undercoating, Too, by Becky Clark

October 19, 2018

This chapter from the novel “Banana Bamboozle” by Becky Clark placed in the

 top ten of a comedy writing contest.

The salesgirl held up two choices for Cassidy. “The Don’t Despair lifts the tush and supports the midsection. The Magic Miss Miracle is more of a bust-to-knee—”

Cassidy grabbed it. “The Magic Miss Miracle. Perfect. Ring it up.”

“Don’t you want to try it on?”

“It comes in Missus, right? Or maternity? It’ll be fine. I believe in miracles. And I need one.”

“What about an outfit? Where are you going?”

“Mexican restaurant.” Cassidy mentally ransacked her closet. “Do you have anything guacamole-and-salsa-colored? Never mind. No time.”

Cassidy was fifty-two years old and getting ready for her first date since before the birth of Justin Bieber. Before Monica Lewinsky decided she needed a new blue dress. Before Joey Buttafuoco became the buttafuoco of jokes.

After gasping at the price and reluctantly handing over her credit card, Cassidy flew to the day spa and burst through the door. Four indistinguishable blonde 20-something girls waited for her in the reception area. Cassidy didn’t slow as they surrounded her like androids and quick-marched her through gauzy curtains. She wouldn’t have been surprised to see a contrail behind them.

“We heard it was crunch time. Cleared the schedule. I’m Emma, I’ll be doing your manicure,” the first one said. “Ellie will be doing your pedi. That’s Ellory, in charge of waxing, but we’ll all help. And that’s Alice. She’s on tanning.”

“My own pit crew. Let’s get these tires rotated, ladies!”

They began in the waxing room. Hot wax coated her from all directions. She flinched rhythmically as hair was ripped from her body. Cassidy forgot to remind them of the private neighborhoods in her personal municipality that didn’t need the Public Works Department. At the last minute, Cassidy convinced them to use only the trimmer around her Recreation Center. They argued, citing traffic concerns, but finally conceded. When they flipped her to her stomach, she saw the pile of hairy muslin strips on the floor like so many cartoon moustaches.

When they were done, they helped her off the table. She took a wide stance and they went to work with spatulas and bottles of oil, scraping off the sticky bits like she was a pancake griddle.

The four girls worked silently. Cassidy hoped they were concentrating on the job but realized they were probably rethinking their career choice. Nobody jumped out of bed and shouted, “Yippee! Today I’m going to inspect an old lady for stray body hair and wax bits.”

Emma handed her a robe and led her to a dimly-lit room where soft classical music played. A steamy tub of vanilla-scented water beckoned. Ah, this is more like it. Emma pointed out the best soap to remove the oil, then left. Cassidy stepped into the tub and sank into its warmth.

As her muscles considered relaxing, there was a rap on the door. It opened immediately. “Ready for you,” Alice said.

“I just got in. I haven’t even soaped up yet.”

“Okay.” Instead of leaving, Alice squirted some spearmint botanical soap in her hands and rubbed them together. “Left leg.”

Cassidy raised her left leg out of the tub and Alice soaped it from mid-thigh to between her toes, making Cassidy giggle, despite the seriousness of the situation.

“Left arm.” Alice grabbed Cassidy’s hand and soaped from wrist to tricep to armpit across boobage to belly button and back again. Again, Cassidy giggled, even while willing herself not to.

“Right leg.” Soap, giggle, rinse.

“Right arm.” Soap, giggle, rinse.

Alice handed her a soft cloth, pointed to her face and commanded, “Scrub.” Cassidy did as she was told while Alice pulled the plug in the tub.


Cassidy stood.

Alice took the shower nozzle and sprayed her, rinsing stray soap bubbles down the drain. She held out a towel. “Dry.” When Cassidy was dry, Alice helped her back into her robe and led her to the tiny spray tan room. There was just enough space for the two of them to maneuver on the 4 x 4 canvas tarp stained with dozens of shades of brown. Alice handed her a paper thong and a hair net. Cassidy stared at the thong. “You’re worried about my modesty now?”

Alice shrugged. “Ever had an airbrush tan?” Cassidy shook her head. “Stand like this. Arms like this.” Cassidy mimicked her. “When I say ‘Face’ that means I’m doing your, you know, face. So close your eyes, hold your breath, and do your lips like this.” Alice tucked in her lips and so did Cassidy. “Ready?” Cassidy’s tucked lips could only manage a weird bleating noise.

Alice fired up a hand-held device that looked like a garden hose attachment for poisoning weeds. Cassidy stood as directed while Alice painted her body with Bronze Buff. When she finished, about twenty minutes later, she shut off the compressor. “Fifteen minutes to dry.” She turned on banks of box fans, stacked floor-to-ceiling on three sides of the tiny room. “Stand in front of the fans with your arms up until I come get you. And don’t scratch. Even if you itch.”

Cassidy wasn’t itchy until that very moment. Fifteen minutes is an eternity when all you can think of is not scratching. Finally Alice came back with a very lightweight — and except for a few well-placed butterflies and flowers — mostly see-through sleeveless shift. Cassidy grabbed for her robe but Alice got to it first. “Too heavy. Ruin your tan.” She helped her into the shift and Cassidy snapped it up the front.

The final stage of her transformation was her mani/pedi. Emma worked on her hands, Ellie on her feet. They soaked, scrubbed, polished and buffed while Cassidy sat in the massage chair and got kneaded, pummeled, smoothed and soothed.

Four hours and twenty-seven minutes after rushing through the door of the Head to Toe Day Spa, she rushed out again and headed home to finish getting ready for her date.

Those enchiladas better be worth it.

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Becky ClarkBooksConference


Ten Reasons to Attend CRW Conference

  1. Hone your writing skills, free your imagination, and expand your creativity!  
  2. Learn from published authors and experienced workshop leaders.
  3. Work on your manuscript or start one at one of the four tracks offered.   
  4. Experience some of what the fabulous 3-day conferences offer without the expense of overnight stays, childcare, and pet sitters.
  5. Attend the Friday evening session for an invaluable experience!
  6. Pitch to an agent in person or via Skype. Your registration fee covers it.
  7. Have your headshot taken at the conference.
  8. Kick back in the Gathering Area with other writers.      
  9. Look over the Book Tables for early holiday presents for those you love.
  10. Be inspired by meeting other writers and picking up practical information on how to navigate through the waters of today’s publishing world. 


Poetry and Youth Songwriting:

Part I. Welcoming SETH

Poetry intimidates me. I literally cringe when I think about writing stanzas. And yet each day, poetry resonates within me in the form of music. It calms me through Denver’s frustrating rush hour, pushes me during a dreadful workout, and makes my heart soar when my children sing their sweet melodies. It transcends age, gender, race and even geography as it unites us as a people. And it’s so very therapeutic. We cry. We scream. We laugh. Even a star like Taylor Swift used poetry and songwriting to work through the emotional turmoil of being a bullied outcast in her younger years. Poetry in songwriting is not only a safe and creative way to find solace, but by sharing our deep secrets, emotions and experiences, songwriters help others cope with similar feelings, both good and bad. It’s no wonder that reading, writing, and music carry so much weight with teens as they traverse through some of the most volatile and confusing parts of their lives.

This is why I was extremely excited when the speaker coordinator for the Castle Rock Writers, Susan Rocco-McKeel, asked SETH, local poet, performer, writer, and instructor, to lead a workshop at this year’s CRW conference on November 7. SETH will be leading an interactive workshop for young writers entitled the “Poetry of Writing Song Lyrics.” SETH – always capitalized – ­will be one of ten workshop leaders teaching an exciting array of writing classes with topics ranging from research to the art of writing to getting published.

SETH has been teaching the mastery of literary arts and creative expression since 1999. Interestingly enough, it wasn’t reading poetry that led SETH to becoming a poet; it was the poetry he heard in song lyrics that provided the initial spark. For his workshop, he’ll be sharing a technique he calls the “extended metaphor.” In an interview with CRW he explained, “You start with a metaphor, say using a zoo to describe what your heart is going through. Think of all the things you associate with the zoo. The various animals. The zoo keeper. Cages. The ‘Do Not Feed’ signs.” During his workshop, SETH will help guide attendees transform these extended metaphor associations into verses and choruses. This is the first time CRW has offered such a unique and exciting opportunity for poets and songwriters.

“It’s a simple technique, but once you’ve mastered the concept, you’re well on the road to writing great lyrics,” said SETH.

As writers we know to always, always, always have something to write on, no matter the day, time or place. A notebook, tablet, napkin…doesn’t matter. Inspiration will hit you when you least expect it. But if you’re struggling for inspiration, SETH has some advice. “Relax. Eventually it will come. Follow your own intuitions and something uniquely you will emerge.” He explains that his most original, innovative stories and poems occurred when he was not taking himself or what he wrote too seriously – instead tinkering and playing with words and form.

During the Castle Rock Writers Conference SETH will have CDs and books available. His book Black Odyssey (2013) encompasses everything from love, death, soul searching and “trying [to] make sense of this psychotic sea called existence.”

SETH performs at the “Jam before the Slam” which he hosts at the Mercury Café in Denver every Sunday night from 7 to 8 pm. His band, Art Compost & the Word Mechanics, improvises with his poetry and the poetry of anyone who is willing to share. Videos of his jams can be found on his website at The full interview with SETH can be found at

The yearly Castle Rock Writers conference is known for its supportive and intimate workshops. Everyone who attends shares a passion and pure joy for the written word. I guarantee you’ll leave with new friends and inspiration to last you for months to come. For the first time the annual conference will take place at the Parker Arts, Culture and Events Center (PACE), 20000 Pikes Peak Avenue in Parker. Registration is $85, which includes a catered lunch and a literary pitch for writers with a manuscript or idea. High school students in grades 11 and 12 and those in college enjoy the same benefits as adults, but at a discounted price of $35. Educators can attend for $45. Price at the door is $95 and does not include the catered lunch. Check-in starts at 8 a.m. Workshop sessions end at 4:30 p.m. Registered, published authors can sell their books at the conference bookstore run by the BookBar.

A pre-conference Friday night event will feature a panel of attorneys speaking on Intellectual Property Rights for writers. Price for the Friday event is $10 with conference registration or $20 at the door.

More information on the 2015 Castle Rock Writers Conference can be found at or email CRW at"> for more information.

Interview with SETH


Tania: When and why did you starting writing songs and poetry?

SETH:  First of all, I don’t write songs per se. I have written lyrics for songs. There are three approaches to doing this. One is to write the lyrics, then have someone put it to music. Another is for someone to compose the melody, then come up with lyrics that fit. And the third is for composer and lyricist to sit down together, at a piano or guitar, and hammer out the melody and words at the same time. I’ve done it all three ways. But rarely do I intentionally write lyrics. I have, however, written a number of poems that easily lend themselves to being put to music – and there is a reason these poems work so well.

As to when and why I started; the when is about 30 years ago. The why is a little harder to explain. I began writing fiction years before that, and one thing led to another. I will say this though: it was not reading poetry that led me to becoming a poet; it was the poetry I heard in song lyrics that provided the initial spark.


Tania: At the 2015 Castle Rock Writers conference you’ll be teaching a class on The Poetry of Writing Song Lyrics. What can attendees expect?

SETH: The poems I’ve written that can most easily be turned into songs were all composed using a similar technique. I call it “extended metaphor.” You start with a metaphor, say a zoo to describe what your heart is going through. Think of all the things you associate with a zoo: the various animals, the zoo keeper, cages, the ‘Do Not Feed’ signs. As you build your verses and chorus, incorporate as many of those associations as you can make fit. It’s a simple technique, but once you’ve mastered the concept, you’re well on the road to writing great lyrics.



Tania: How do your strategies differ when working with teens as opposed to adults?

SETH: My strategy wouldn’t differ that much. Teens differ from adults in that they are more open, more adventurous, more willing to take chances. Adults are often hung-up on the notion that there is a right way and a wrong way to write something. Teens—and youth in general—are willing to just jump in and try things. That makes them more fun to work with. But adults have certain qualities teens lack. So working with adults offer other rewards.


Tania: What is your favorite part of teaching children and teens?

SETH: There is a quote by Albert Einstein: “Genius is the ability to play.” As soon I read that, I knew exactly what Einstein was getting at. By that stage in my own writing, I could look back and recognize that my best, most original, innovative stories and poems came about when I was just playing around—tinkering with either words or form. . .not taking myself or what I was writing too seriously. Just having fun. It’s in that state of exploratory fun that the most amazing things come out. My favorite part of teaching children is getting them to understand that.

One of my teaching mantras is: the best way to do anything well is to enjoy doing it. The more you enjoy something, the more willing you are to keep doing it. The more you do it, the better you will become at it. That’s automatic. Putting pen to paper isn’t something to fear; it, in fact, can be fun.  Once I get them to grasp that, their writing takes off.


Tania: Why do you think songwriting resonates in today’s youth?

SETH: Songwriting has always resonated with youth. Not just with today’s youth. This became especially true in the 60’s after The Beatles met Bob Dylan. After that, songs became more than just about falling love and/or getting hurt in the process. What might differ between today’s youth and when I was growing up, is the advent of rap. Rap has shown the last few generations that rhyming lyrics, and spoken word in general, are viable vehicles to express our thoughts, our feelings, frustrations and outrages.

Being a teenager is one of the most confusing times in a person’s life. Songwriting and poetry are ways to start making sense of what’s going on inside them by putting it down on paper. Adding melody, and singing about it, makes it that much more powerful a form of self-expression.


Tania: What advice do you have for a young adult who is struggling to find the creative words or struggling with inspiration?

SETH: Relax. Eventually it will come. Recognize that each failure puts you one step closer to success.

Say, for instance, you decide you want to write sonnets. The first time you try one, chances are it will fall below par. Don’t give up. Next time you try one, it will probably be a little a bit better; the third try a little better still. Then at some point, when you least expect it, something will click. You’ll write a sonnet that jumps out at you. And after that, writing sonnets will feel like clockwork. You’ll still write a few below-par ones, but those will be the exception rather than the rule.

Every time I start a poem or a story and it falls flat within the first few pages, I think Okay, that’s not the way to begin. Let’s try something else. Usually within two to three tries, it comes to me.


Tania: In an interview with the Colorado Poet Center during the release of your poetry book, Black Odyssey (2013), you indicated that you’d been writing the book for over 10 years. You explain the changes of your style and diction over that time span and between chapters as being different islands and if you were “traveling from island to island, each island would be different, and somewhat unique, offering its own local color.” Beautiful! You expressed fears of being thought of as naïve or unacceptable because of your unconventional use of different poetry styles in one story. Many times young writers haven’t had their creativeness impeded by the conventional rules we learn later in life. What would you say to first time poets and how could your workshop help them?

SETH: All the greats—your Shakespeares, your Kafkas, your Eliots—either defied convention or took what was commonly done and expanded or tried something new with it. And it came about not by discovering some new revolutionary approach or technique, but from following their own creative impulses. Follow your own intuitions and something uniquely you will emerge. Innovation doesn’t come to you, but through you. Relax and trust. If it’s there, when it’s there, it will come out. You don’t have to do anything but be yourself.


Tania: Will you have any of your CDs or poetry books available for sale at the conference? What audience do you feel would enjoy them the most and why?

SETH: Yes, I will have CDs and books available. I like to think any audience would enjoy the CD. The musicianship is superb; the poetry is accessible and varied. Plus the poetry and music are well matched.

As for my book, A Black Odyssey, the people who will enjoy it most are those familiar with Homer’s Odyssey. Also any former English majors and literary aficionados—anyone who has a deep appreciation for literary craft. I take great pride in my craftsmanship. I pay a lot of attention to sound devices and the rhythm of speech, the flow of language; things readers with a literary background will especially appreciate.

Baby boomers also respond favorably to my work. I myself am a baby boomer. We were shaped by what we experienced in the 60’s. Thus we share a common frame of reference and a similar perspective.

That’s not to say people outside these two groups won’t enjoy the collection. The poems and styles are varied, as is the subject matter: everything from love, to death, to soul searching, to trying make sense of this psychotic sea called existence. Most people will find poems and whole sections that resonate with them—if not the entire book.


Tania: How do you feel when performing at Mercury Café? When can we find you performing there?

SETH: I host the “Jam before the Slam” every Sunday night from 7-8pm. My band, Art Compost & the Word Mechanics, improv behind my poetry and the poetry of anyone who wants to join in. I find it exhilarating and empowering. There is a communication between the poet and the musicians that goes beyond language. It has to do with feel. When the musicians begin, I feel the music and adapt my delivery accordingly. I don’t think; I feel. When I begin, they feel my intonation and adapt to me. Again, they don’t think; they just feel. It’s almost magical.

The Merc, of course, is in Denver, almost in the heart of downtown. Those living in Castle Rock or Parker have the option of going to my website. Click on “events” and find other places we are appearing.


Looking at a CRW Monthly Workshop

  Facilitator: Tayve Neese, MFA

Writer, publisher, editor & author of Blood to Fruit

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“Bring Poetry Techniques into Your Prose Writing” 

Date: April 6th, 2015

Time: 6:30-8:30 p.m.

Location: Philip S. Miller Library, 100 S Wilcox St, Castle Rock, CO 80104

Poetic devises aren’t just for poets. Elements of poetry, such as metaphor, simile, and rhythm enable writers to add complex layers to the sentence structure, thereby enhancing language for the reader. In this workshop, Tayve will discuss poetic techniques and their relation to narrative poetry, flash fiction, and prose poetry.  She will work with these craft elements to help participants with their character development, enhancing sensory detail, and varying sentence and paragraph structure.

Tayve Neese’s work has appeared in literary journals including Fourteen Hills, The Paris Review, MiPOesias, Fifth Wednesday Journal, and she is the author of the book, Blood to Fruit. She is also the Executive Editor of Trio House Press, an independent press publishing distinct and innovative voices of emerging and established American poets. Neese has taught poetry at the University of North Florida.  She serves on the Advisory Board for the Concord Poetry Center in Concord, Massachusetts, and currently resides in Colorado.  Check out her website at

Castle Rock Writers Success Story

Interview with teen author Anastasia Zhivotov – By Susan Rocco-McKeel


Anastasia Zhivotov

“Without [Trai Cartwright], I’m not sure I would have a book out. Without the [Castle Rock Writers] Conference, I’m not sure I would have made it out of my room.”- Anastasia Zhivotov

Anastasia Zhivotov hit a low point after experiencing what she considered to be a rejection of her creativity in the dance world. “I was bummed, I was weak, I was a zombie.”

After having coffee, a flyer for Castle Rock Writers 2012 Writers Conference caught her eye. “It said all ages and included a few free bribes like pitches …”. She immediately called Alice Aldridge-Dennis, the Conference’s co-director, and introduced herself as a teen writer. Anastasia’s relentless muse combined with her father’s encouragement, and Alice’s information, resulted in scheduling a pitch.

This was August 28, 2012. Anastasia had a pitch scheduled, but no manuscript. She struggled with her writing and then her “computer keys finally got fed finger grease”.
Anastasia met Trai Cartwright, a workshop presenter, at the Conference in October, 2012, and was “in awe”. They exchanged emails. Trai mentored Anastasia through the completion of her book. Anastasia was an eager student who remembers standing in the snow taking notes with a blue pen for an hour after their first edit. “I got a cold of course, but more importantly, I had a plan.”

Her novel, Alice in Reality, graphically scrutinizes the stress leading to addiction in teens. “I want to get the truth out. Drugs and parties happen.” Anastasia imbues her writing with her Russian culture. As she says, she was born in Colorado but raised Russian and her writing voice reflects this.

With an enviable work ethic, Anastasia manages writer’s block by writing. She will continue to wrestle with an idea until she forms a shape out of it. If she is still struggling, she will take a break to do something like cooking and then return to the keyboard.
She says that for her, writing is not only a passion but an extension of breathing for she feels “as if the arts are the only way to be freed.”

Anastasia and her mentor, Trai Cartwright, will address the 2013 Castle Rock Writers Conference attendees during lunch. Alice in Reality is available from Amazon and Trafford online.
-Susan Rocco-McKeel; November 12, 2013

Castle Rock Writers holds a yearly conference in the Castle Rock area, open to writers from youth to adult from all over the front range.  The conference includes a variety of workshops, agent and publisher pitches, a keynote speaker, and a conference book store where participants and workshop leaders may place their books.

The conference is a one-day event held at the Douglas County Events Center at the Fairgrounds in Castle Rock.

Student Interviews

Julianne Marsh – Interview Tania Urenda

As a 9th grade student at Mountain Vista High school what type of reading do you generally enjoy the most away from school? Are there certain genres that you prefer over others and why?

Julianne: Away from school, I really enjoy reading the whole Young Adult section. I mean, dystopian, fantasy, realistic fiction, paranormal–they all appeal to me. I guess what I read really depends on how I feel on that particular day. The one constant is that it’s all YA, but I do dig those adult murder mysteries and horror stories.

What are the last two novels that you chose to read? How did these resonate to you and your friends?

Julianne: The last two books I read were continuations of two series’ that I have grown to love. The Infinite Sea by Rick Yancey and  The Blood of Olympus by Rick Riordan were the two I finished this week. My friends and I all love both of these authors, and these new books were not a disappointment.

What are your current writing aspirations? What do you like to write? Which genre? Do you have one major project or many smaller ones?

Julianne: I like to say that I don’t settle down when it comes to writing a certain genre. I have a lot of ideas that do not correlate with each other whatsoever. I am trying to find a good genre where I can satisfy all of my ideas, yet it’s my strong point. Right now, I’d say realistic fiction is what I’m working on. Project wise, I work on one major project, but I keep tabs on all my ideas.

With homework and other activities, when do you find time to write?

Julianne: It’s difficult to find time to write, that’s for sure. However, if I tell myself “I will write today,” I can do it. NaNoWriMo and weekends are times where I get a lot done.

What inspires your writing? What do you love about writing?

Julianne: I think that reading inspires my writing. I want to create something that others, and myself, can read and really be drawn into the story. I love that with writing you can make a world different from your own; there are no limits.

Do you have a writing mentor? If you do, could you tell me about them and how they have inspired you to write. If not, do you feel that this would be beneficial to your budding writing career? Who is your biggest fan and supporter?

Julianne: I do not have a writing mentor. However, I have good friends that happily give me their thoughts about what I’m writing. I think that when I’m further along in writing projects, having a mentor would be beneficial to making it better. My biggest supporters are probably my friends who edit my work. I edit theirs as well, so it is sort of a critique group.

When complete, will you try to publish your work? If so, what means do you feel would work best for you, traditional publishing with an agent and publishing house or digital self publishing?

Julianne: I would really love to publish my work. I’d say I would prefer to go through a publishing house rather than self-publishing.

What are your writing/publishing goals for the next 5 to 10 years?

Julianne: In the next 5 to 10 years I would love to have had a book published. A lot of work can be done in this time period, so I think I can do it. Also, I really want to have written a lot of diverse things, whether it be horror or a cute romance story.

This year you attended the Castle Rock Writers conference. How do you feel this helped you as a young writer?

Julianne: At the conference, I believe that I learned a lot more about the actual publishing process and what goes into the process of book-making. That was incredibly cool.

Writers attend conference for many reasons, among the reasons are networking  and pitching ideas to agents and publishers. Did you have the opportunity to make connections with some of the workshop leaders, board members, agents or attendees?

Julianne: I was in the Young Adult program, so I connected with more teenagers with similar aspirations. I also met an author and an agent. Everyone was very friendly and open and I feel very welcomed into the world of writing.

Grace Wilson –  Interview By Susan Rocco-McKeel

Gracie Wilson is a delightful young woman who attended the 2014 Conference’s youth sessions. As a writer in 10th grade, Gracie said she thinks the most important thing for people to know about her is that she is “just as passionate a writer as some who have been writing their whole lives.” Although she has explored writing in many genres, her current favorite is historical romance.

Tragedies inspire her. “Take the Titanic, for example. There were almost two thousand people on board. As a writer, I feel that it’s my duty to preserve each and every one of their stories. Every story is different and spectacular in its own bizarre way. The possibilities are endless. If you look up a list of Titanic’s victims, there is something like: “#47. FEMALE, DARK HAIR, YOUNG, GOLD WATCH, NOTE IN POCKET SIGNED E. H. CONNELLY.” Imagine the possibilities of that story! Why does she have a watch? What’s her name? Who’s E. H. Connelly? And the craziest thing is that it’s all real.   I find myself wanting desperately to make the right guess of something close to it, of how that young woman’s life ended.”

There are many authors she reads and admires but the one she respects the most is Jodi Picoult. While Gracie finds many of Picoult’s topics uncomfortable and disagrees with the morals of some of her characters, Gracie praises the method Picoult employs to tackle tough issues, especially Picoult’s extensive research.

“[Picoult’s] work brings up issues in my own life and brings my fear to the surface.” Despite the controversial topics, Gracie finds herself engrossed in Picoult’s stories. Gracie believes this is the hallmark of an accomplished author.

Gracie is committed to practicing her craft as a means to grow as a writer. She “hope[s] to express in [her] writing something powerful, something that will make people stop and think and wonder and go about their lives in a different way.”

Annie Borelli – Interview by Jean Jacobsen

How long have you been writing or expressed an interest in writing? Where are you at in your writing carrier? What is your favorite subject to write about? Which genre do you write in?

Annie: I have been writing books since about third grade. Right now, I am working towards publishing my first book. I like to write most about kids my age. I write in a variety of genres- contemporary, science fiction, and sometimes fantasy.

Describe a couple of the classes you attended at the CRW conference. Was this your first year to attend?

Annie: I attended the CRW conference for the first time with my friend Julianne. We went to two young adult classes and two adult classes. The young adult classes were fairly plot-oriented and the adult classes involved the publication process.

Would you attend another CRW conference? What would be of interest to you as future workshops in writing?

Annie: I would love to attend another conference! I really enjoyed visiting each of the classes and hearing the speaker. As far as future workshops, an in-depth explanation of the publication process especially for teen writers would be awesome.

Winning the Writing Lottery: Young Writers


            Passion for the written word is ageless. Unhindered by adult realism, children flourish in their make-believe, fantastical worlds.  Book characters become new best friends and difficult lessons are explored in the safety of loving arms. Blink and those children have morphed into creative teenagers, who want nothing more than to challenge their adult counterparts to acknowledge their ferocious dedication and potential within today’s writing industry.

            The next generation of successful writers is hungrily absorbing information. They read writing blogs between classes and collaborate with friends after school. Most inspiring is the vision of themselves as published authors in the not so distant future.

Like many writers, my own passion for writing sparked at a very young age. I wrote my first of two novelettes at the age of ten. I remember my mother tediously typing my beloved manuscript on a black antique typewriter at our kitchen table. As I look at my early work now, I find the mosaic of black ink and White Out endearing, the floral wallpaper-covers very 80sish and the red duck-taped spine hideous.

Not only were these precious single copy treasures my first exposure to self-publishing, but they’ve also become an inspiration for my own eight-year-old year old daughter who also loves to write. But this marked the end of my writing career until I reached adulthood. While my family and friends applauded my accomplishments, knowledge about teen authors and publishing was largely non-existent in my world.

I’m thrilled that today’s youth have the support and access to resources like never before.  Websites like provide a social network for writers, ages 13+, to share their creativeness, ask questions and make connections with mentors and other young writers.  NaNoWriMo YWP, which stands for National Novel Writing Month, Young Writers Program, is an event in November which challenges its youth participants to write a novel in just 30 days.  Young writers’ camps and professional writers’ conferences, like the Castle Rock Writers Conference, that provide writing workshops in a safe and supportive environment with other like-minded people.

Castle Rock Writers has proudly offered a Teen Track program for Young Adults during its writers’ conferences for the past three years. Susan Rocco-McKeel, past Teen Track coordinator for the Castle Rock Writers was delighted with the enthusiasm shown by young writers from all over the Front Range of Colorado.

One such attendee of the 2014 Conference’s youth session was 10th grader Gracie Wilson. Gracie thinks that the most important thing for people to know about her is that she is “just as passionate a writer as some who have been writing their whole lives.” This is a common feeling among most, if not all, youth writers.

Enthusiastic friends, 9th graders Julianne Marsh and Annie Borelli also attended this past year’s writer’s conference. Julianne’s maturity was as clear to me as her writing during a post-conference interview. When I asked her how she finds the time to write, she explained that “it’s difficult, that’s for sure. However, if I tell myself ‘I will write today,’ I can do it. NaNoWriMo and weekends are times where I get a lot done.” Good advice for any aspiring writer.

Annie demonstrated her writing drive in an interview with Jean Jacobsen, 2014 Conference Director. “I really enjoyed visiting each of the classes and hearing the speakers. As far as future workshops, an in-depth explanation of the publication process especially for teen writers would be awesome. I would love to attend another conference!”

Like all writers, no matter their age, teens want to leave their mark on the world. Most read and enjoy writing within the wildly popular Young Adult (YA) genre. It seems reasonable that they would be the experts in this area which can include love, loathing, sacrifice, self-discovery, family contention, and other relationship interactions. Gracie “hope[s] to express in [her] writing something powerful, something that will make people stop and think and wonder and go about their lives in a different way.” Julianne wishes “to create something that others can read and really be drawn into.” She loves that “with writing you can make a world different from your own; there are no limits.” I have no doubt that these three brave young women will accomplish exactly these things in their future writing aspirations.

There are some very impressive gems whose authors astound us with their youthful success. For instance, Christopher Paolini started his journey to the New York Times bestseller list at age 15 when he started writing his novel Eragon. The book’s first edition was published by his parents’ small publishing house, but it wasn’t until his novel was discovered by Alfred A. Knopf  Books for Young Readers that Eragon climbed to the bestseller list, after a reedit and release in 2003. Perhaps even more impressive is Alec Greven from Castle Rock, Colorado, who at age 9 published his first book, with HarperCollins, How to Talk with Girls, after an invitation to the Ellen DeGeneres show in 2008.

Dreams can, and do, come true for young writers.  With encouragement, information and a supportive network of friends and mentors, youth authors can find their way to winning the writing lottery.  They may even one day share their stories with those they love the most, generation after generation to come.

Castle Rock Writers will be hosting free monthly workshops starting January 5th, 2015 at the Philip S. Miller Library, 6:30 – 8:30pm.  First workshop is “Recognizing & Fixing Common Writing Mistakes in Your Own Work.”  Anita Mumm, freelance novel editor will lead an interactive workshop in which she will discuss the most common fiction writing faux pas, with a particular focus on opening pages.

Interview with Agent Gordon Warnock

California Agent Gordon Warnock
of Foreword Literary – August 18, 2014


Interview by Tania Urenda, agent coordinator
& co-author of Chronicles of Douglas County, CO (July 2014)

Self-promoting is essential in today’s writing market. Authors need a strong platform which usually involves speaking engagements, social media, networking and being an expert in your field or book. What are some of the most time efficient strategies your busiest authors have used to promote their books? Is it possible to fit family life, work and a budding writing career into a 24-hour period?

Gordon: Absolutely. The classic time complaint holds little water because thousands of new and established authors write, work, publish, promote, and live their lives every year. But as with most aspects of this business, there is no magic bullet that will instantly gain optimal results for everyone. It really varies depending upon the strengths of the author and which outlets the material naturally fits. We have a few clients who are absolutely killing it on Instagram right now. And then on the opposite end of the spectrum is the one without any form of social media whatsoever who maximizes her speaking events by tying in local and national traditional media. Regardless of the tools you use, you’ll start seeing the best returns if you approach your writing like a business. Stop thinking of yourself as an author, and start thinking of yourself as an authorpreneur.

Writers Conferences are an exciting and sometimes nerve-wrecking experience for any level of writer. It’s often said that writers are writers, not speakers, for a reason.  Pitch sessions with an agent or editor can fumble if authors come on too strong or are too nervous. What is the best way for an author to approach you when trying to sell themselves and their book? Do you have any horror stories from your earlier years of being an agent or writer that you could share?

Gordon: I have horror stories from a couple weeks ago, mostly of folks who just didn’t prepare. Make it a dialog. One person should not be speaking the entire time. Talk about your manuscript for maybe half of the session and then be prepared to answer questions. Know your manuscript inside and out, know the genre you’re writing into, know your qualifications as an author, and know what your plan is for the success of the book. And to save both you and the agent a lot of time, research the agent before you sign up to pitch. You don’t just want an agent. You want the right agent. I literally had a pitching writer get frustrated and say, “I thought you represent fiction.” I do, but not all of it. In fact, it’s a small portion of my list, and I say so right on my website. If I don’t rep your genre, there are a lot of other agents out there you’re better off contacting.

At the Castle Rock Writers Conference you’ll be presenting a workshop on how to hook an agent and doing some limited critiquing. What are the most common mistakes writers make within the first five pages of their manuscript or proposal? What’s your biggest pet peeve?

Gordon: There are so many mistakes that make an agent stop reading. You have to be compelling, and you have to present tension or at least some sort of imbalance that creates intrigue and must be righted through reading on. If you open with the info dump, large blocks of exposition, or back story, you’ll lose the reader right away. You also have to be on your A game as far as the prose is concerned. This is our first impression of what you can do as a writer, and I simply can’t stick around for 50 pages to see whether or not you have skills, especially if you spend those pages convincing me otherwise. Just as a browsing reader does in a bookstore, an agent must make decisions within a certain window. If I have a pet peeve here, that might be it–writers who don’t understand that or complain about the agent passing on a manuscript without reading the whole thing. Readers often don’t make it through a book before putting it down (or back on the shelf at B&N). That’s just the nature of things.

Fiction writers strive to make characters original and lifelike. In other interviews you’ve also expressed this important aspect of writing.  What are the best ways for doing this?

Gordon: Study humans. We’re an interesting breed. Give your character real human quirks, and don’t base them entirely off of one person or character you’ve read. For example, I get a lot of people pitching me “the next Holden Caulfield.” There already exists a Holden Caulfield. Give me someone new. Really stretch your creative muscle.

In non-fiction writing the author must be a known expert in his or her field and have legitimate credentials. Are there any subjects you feel are underrepresented in the publishing field, ones that are on your bucket list?

Gordon: Not really. They usually end up on my client list instead of my bucket list. For example, I think libraries aren’t given the attention or priority they deserve in society, and I now have an amazing project with the author of the viral photo essay, “This Is What a Librarian Looks Like.” I’m working on the book, Neil Gaiman is narrating the documentary, and we’re getting great support from libraries internationally. We’re making it happen. Also realize that publishing is a multi-faceted ecosystem. There’s a lot more going on than just the projects agents work with.

As a founding partner of Foreword Literary, your agency has been at the forefront of the evolution of traditional publishing into the digital age. Many thought this would herald the end of paper books, publishers and agents. Obviously the end of the world is not coming and bookstores are alive and well, so what new and exciting things do see in the future for your agency and the authors you represent?

Gordon: Mostly things I can’t talk about at the date of this interview. I have the luxury of working with some of the brightest minds in the industry, and we’re always cooking up new ideas and new ways for our authors to succeed in this ever-changing, highly competitive marketplace. As for things that can be talked about, we have an amazing list of fall releases. Here are a few Sept/Oct highlights:

DRAGON’S BREATH AND OTHER TRUE STORIES by MariNaomi is out Sept. 9th. If you’ve never had comics profoundly touch your heart, check her out. She’ll make you feel.

FALLING INTO PLACE, the debut by 18-year-old phenom Amy Zhang, is out the same day. This one has received crazy good press, and there’s plenty more we can’t mention.

THE BOOK OF KINDLY DEATHS by Eldritch Black is out Sept. 16th. Having grown up on Goosebumps, I’m a tremendous fan of this twisted storyteller. 

The first in the TALON series by NYT bestseller Julie Kagawa releases on Oct. 28th. Universal optioned it and Chris Morgan is writing the screenplay. 

MARTYR, the first in THE HUNTED series by A.R. Kahler, releases the same day. Keep an eye on this author. He’s a rising star. 

If you’ve done any research into the publishing field, you will have heard about the massive slush piles that loom in the darkest corners of every agency. How often do the slush piles see the light of day and how much better are the odds of being represented after a pitch session at a conference verses being found in a slush pile?

Gordon: Yeah, I’ve researched that a bit, and in my experience, you’re much more likely to get a request from a conference. But that means nothing if the work doesn’t deliver on the promise of the pitch. I’ve signed (and sold) way more from the slush than I have from conferences, though there are gems to be found in all methods of submission. Except from the one where you slide the manuscript under the restroom stall. You’ll never get a book deal that way.

Gordon will be participating on an Agent Panel on Friday, October 3rd, 2014 for our Pre-conference event, “Reading Through the Slush Pile, Agents Share their Thoughts.” He will also be accepting a limited number of verbal pitches and written critiques during the 2014 CRW Conference and presenting the workshop, “How to Hook an Agent.” Conference date is Saturday, October 4th, 2014. Look under the Conference page for more information.

Laurie Marr Wasmund Releases Clean Cut

The following overview is from the book jacket. Following the selection, see the flier on the upcoming Local Author Showcase  Congratulations, Laurie!

For Shari Brock, who loses her on-again-off-again husband in a tragic accident, change arrives with his  illegitimate daughter, Erica. Meanwhile, Shari’s son, Jason, embarks on a cockeyed crime spree that makes him the laughingstock of the town. But that isn’t all: the local sawmill has been taken over by a multinational corporation, a wolf appears out of nowhere, and the yearly town celebration becomes a battlefield.

Vivid characters lend both grace and humor to this romance of the western heart: Ronald Dailey, a sawmill manager who falls in love at first sight with a mysterious environmentalist; Marguerite Brock, Shari’s mother-in-law, who accepts the lonely choices that have made her the richest woman in town until an old love reawakens her; Dave Phillips, a cowboy whose horse has tragically betrayed him, and others–all surrounded by the stunning beauty of Yellowstone National Park.